Truth is Good, But Happiness is Better

The film centers on Mavra Tarasovna, a determined matriarch seeking a suitor for her granddaughter Poliksena. Set against a backdrop of societal expectations, Poliksena's heart belongs to Platon Zybkin, a clerk in debt and facing imprisonment. The narrative unfolds as the characters navigate their conflicts, aided by Poliksena's nurse and the unexpected arrival of Sila Yerofeyevich Groznov, who brings his own past with Mavra into the mix.

As a piece of Soviet television history, this film represents the era's storytelling and cultural values. Its rich character dynamics and moral dilemmas provide a glimpse into life during this period. The film's exploration of love and sacrifice within familial and societal constraints makes it a notable entry for collectors interested in vintage TV dramas.