Turn

Turn delves into the significance of a single moment captured on film in Jean-Luc Godard's Breathless. The film opens with Seberg gazing into the camera before she turns away, leaving viewers to ponder her intentions. Is it a rejection, a sign of guilt, or simply a moment of introspection? This ambiguity raises questions about identity and the choices we make.

The narrative shifts to 2017, where twenty-three women in Berlin reenact this pivotal moment, reversing Seberg's action. This act serves as a powerful commentary on how women's experiences and expressions have evolved over time. The film's structure creates a dialogue between past and present, inviting viewers to consider the implications of visibility and absence in both cinema and life.