Ultimo: Different Ways of Killing a National Hero

About This Movie

So, 'Ultimo' takes Rizal's poem and really messes with it. It’s this raw, black-and-white film that plays with heavy themes of identity and the struggles of nationhood. The pacing feels almost languid at times, letting you soak in the visuals and the weight of the words. You see a blend of practical effects that give it a gritty feel, which fits so well with its post-colonial commentary. The performances have this haunting quality, making you reflect on both personal and collective histories. Khavn’s direction has this unique touch, making it stand apart in the landscape of Filipino cinema.

This film is somewhat elusive, not widely available on standard formats, which adds to its interest among collectors. Limited releases and festival screenings mean that finding a copy can be a challenge. Its distinct aesthetic and thematic depth have garnered a niche following, making it a noteworthy piece in discussions about contemporary Filipino cinema.