Une aurore sans fin (film manifeste)

This film-manifesto serves as a compilation of excerpts from Stéphane Marti's previous works, spanning from 1975's Corpress to 2010's Purple kiss. It re-articulates these excerpts into a new narrative continuity, showcasing Marti's baroque and sensual cinematic style. The film combines super 8 and slides with digital elements, reflecting on the evolution of his practice over three decades.

As an experimental piece, Une aurore sans fin engages with the history of cinema through the lens of its most notable historians. Dominique Noguez's definitions of experimental cinema frame the film’s narrative, inviting viewers to reflect on the nature of creative expression. The film highlights significant encounters with “actants,” which are key moments that contribute to the overall thematic depth of Marti's work. This makes it a noteworthy observation of both personal and artistic evolution.