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We Are So Happy captures the weight of isolation through Claudine, a teenager whose world is turned upside down. The film's atmosphere is heavy, almost suffocating, mirroring Claudine's emotional descent. It moves at a contemplative pace, allowing viewers to dwell in her struggle and loneliness. The practical effects are minimal, but they serve the story well, emphasizing her internal conflict rather than flashy visuals. The performances are gritty and raw, making it feel deeply personal. There’s a distinctiveness in how it presents mental health without the gloss that often accompanies such narratives. You're left with this bittersweet aftertaste, reflecting on the nature of happiness and despair.
This film has had limited releases, making its physical copies somewhat rare in collector circles. Various formats have emerged over the years, though none have become widely sought after. Interest tends to spike during discussions of underrepresented narratives in indie cinema, especially regarding themes of mental health and adolescent struggles. While not mainstream, it has found a niche audience that appreciates its rawness and emotional honesty.
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