Yeah Yeah

About This Movie

Yeah Yeah (1965) by Michael Klier is one of those intriguing shorts from the early German television landscape. The film has this raw, almost experimental feel, characteristic of the 60s avant-garde movement. Its pacing leans towards the meditative, almost hypnotic, with a focus on the small, often overlooked moments of daily life. The atmosphere is both casual and contemplative, allowing viewers to linger in its simplicity. There's a certain charm in the practical effects and the straightforward performances that ground the film, making it a unique piece in Klier's oeuvre. It’s not flashy, but it carries a distinct voice, one that resonates with collectors who appreciate the subtleties of short narratives.

Yeah Yeah has seen limited release, making it somewhat of a hidden gem in the world of short films. Its scarcity on physical formats adds to its appeal among collectors, especially those interested in early German cinema. While not widely known, it often captivates those who stumble upon it due to its distinctive style and approach. Collectors often cherish it for its representation of 1960s experimental narratives in television.