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So, Zigoto et l'écuyère, a little gem from 1912, offers a quirky blend of comedy and mischief. Lucien Bataille’s character is delightfully caught in a web of absurdity while trying to keep Berthe Dagmar away from her romantic interests. It's got this charming, almost whimsical atmosphere that’s hard to resist. The pacing is brisk, full of those delightful silent film gags that make you chuckle, even a century later. There’s something refreshing in the practical effects—like the spirited horse that adds a layer of slapstick chaos. The performances, especially from Bataille, are engaging in their exaggerated mannerisms, truly embodying the silent film era’s unique style.
Zigoto et l'écuyère remains a bit elusive in the collector's market, likely due to its age and the obscurity of its director. While not as widely recognized as other silent films, it holds a certain appeal for those who appreciate the nuances of early cinematic humor. Finding a well-preserved print can be a challenge, but it’s well worth exploring for its unique charm and historical context in the evolution of comedy in film.
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